Saturday, 15 February 2014

Longclaws by Steve Peek


This is definitely one to watch folks. Put together by the inimitable Finishing Fairies this book blast will knock your socks off and give you the opportunity of obtaining this great book Steve Peek is definitely one to watch.

So, over to you fairies, work your magic

Welcome to the Longclaws book blast.  This one of a kind horror novel by Steve Peek is an amazing journey into a different kind of horror story, with a new version of the mythology the reader might not expect. With an average of 4.7 stars out of 5, this is an amazing book that will take you places you don't expect.  Interested?  Read more!

Longclaws COVER Spearhead 02-12-14Their world is crowded with active volcanoes, sulfur and acid rains, permanent thick clouds turn day into deep twilight. It is a violent place: moment-to-moment survival is victory, every creature is constantly predator and prey, sleep is certain death. This is home to the longclaws, beings of super-human speed, strength and senses. Their predatory skills allow them only a tenuous niche in their hellish environment. Though smart and fierce, their rank in the food chain is far below the top. One clan leader draws from ancient legends of paradise and devises a plan to escape and take his clan to the otherworld - a world filled with slow, defenseless prey. The clan activates an Indian mound deep in southern forests and enters our world -hungry for prey. Torrential rains and washed out bridges force a runaway teen, an old dowser and a Cherokee healer to face the horrors of the clan's merciless onslaught. Mankind's legends are filled with vampires, werewolves, dragons and other nightmarish. Perhaps our legend of hell is based on the world of the Longclaws.

MEET THE AUTHOR

Steve PeekSteve has only recently seriously taken to writing. Though he wrote and managed to have a couple of books published during his life, something clicked a few years ago and now, for better or worse, he sits at his table researching and writing about things that interest him. His wife, Annie takes care of him. She keeps him eating too well and laughing often in their old farmhouse halfway up the Blue Ridge Mountains. Steve’s forty year career in the game industry allowed him to travel extensively and explore histories and myths of peoples and places. His books on Amazon include: Longclaws, Alien Agenda, Coyote Dreaming, Otherworld and The Game Inventors Handbook. In addition to writing, he works in a vegetable garden trying not to be herbicidal, walks in the woods with a rescued dog and gathers imaginary eggs from a few cut-out, wooden hens. e loves all things ancient and appreciates the magic of life and the interconnection of all things.  He would like to hear from you via jstephenpeek on facebook or send me a message via his contact form.

EXCERPT
After Father came home from work, they piled into their family car: a six-year-old 1949 Oldsmobile Futuramic station wagon.  Painted hunter green, their car possessed real wood trim around the side windows. He and his brother sat on blankets in the back, where the third seat had been laid flat to create space for them and the two suitcases. Tom’s sisters—Amanda and Allison—occupied the backseat, with a picnic basket between them. The basket contained sandwiches and cookies, as well as two of their mother’s green-apple pies that she had made for the new widow in Alabama.  Tires in those days were real rubber and produced hypnotic, whining sounds as the car cruised along the highway, causing occasional dogs to give chase. Their father started the car and enumerated the road-trip rules for the Mason family, which applied only to the Mason kids: no horseplay, no loud talking, no teasing brothers or sisters.  They could play games, talk, or tell stories, but in low voices.  If they stopped, everyone would go to the bathroom, real bathroom available or not.  Their estimated time of arrival was 10:00 p.m.  The host family and their guests might all be asleep or ready for bed, so as soon as introductions concluded, the kids were to go to sleep wherever their host placed them. The Futuramic hummed through the moonless darkness.  Boredom settled in, and sleep overtook all the kids except Tom.  Tom clipped his Boy Scout flashlight to the neck of his T-shirt and reread the Superman annual comic book for the thirtieth time. Tom felt the car slow and then turn onto a dirt road packed hard by a summer of little rain.  The tires vibrated on short stretches of washboard ruts in the dirt road.  Tom sensed the edge of motion sickness, so he put away his comic and sat up to stare out the back window through an accumulating layer of reddish dust. His brother, Russ, slept at his side.  At fourteen—the oldest of the Mason kids—their parents expected Russ to become the surrogate father when adults were absent.  Tom never admitted it, but he idolized his brother.  Russ was as close to a hero as Tom could imagine.  Tom knew he could depend on Russ, no matter what. Amanda, two years Tom’s senior, was the more feminine of the two sisters.  Allison—one year older than her sister and the prettier of the two—preferred mud fights and tree climbing to dolls and frilly dresses.  She tried to mother Tom when he hurt himself or fell ill, but Tom would have none of it. Tom stared out the back window.  The taillights cast a scary, red glow behind the car as the tires kicked up dust, which twisted into horizontal dirt-devils streaming from the rear of the car.  Beyond the red glow of the taillights, the complete darkness frightened Tom a little. Tom's father and mother exchanged words.  His mom twisted her body and faced the backseats.  “Wake up kids.  We are going to be there in a few minutes.  Wake up and make yourselves presentable.” The sisters stirred, emerging from whatever dreams had been born of the bouncy car and the background rhythm of the eight-cylinder engine. Mother looked past the girls at him and said, “Tom, wake up your brother.  We are almost there.” Knowing they would be at their mysterious destination soon, Tom’s phobia of meeting new people—especially new kids—welled up, feeling like the anxiety of walking to school to face a waiting bully. Without taking his eyes off the illuminated portion of the road, their father said aloud, as if making an announcement over the school intercom, “I want you on your best behavior.  The folks here are good people.  They are our relatives.  If an adult asks you to do something, do it.” He cleared his throat and continued, “So mind your Ps and Qs.  Oh, and one more thing: last time I visited, they did not have a bathroom in the house; they have an outhouse.” He paused as if preparing to issue a warning or instruction, thought better, and simply said, “You’ll get used to it.  But until you do, no complaining.” Tom saw some lights up ahead: an island in the dark. When they turned right onto the track serving as the driveway to the old country house standing fifty yards from the road, Tom looked at the layout.  The front yard was not really a yard at all.  Once part of a forest, it had been cleared long ago, and now only a few huge pine trees were left, rising over beds of needles.  Tall grass grew here and there, but gave way to dirt paths where people had walked between the pines. Light came from every window.  An electrical wire stretched fifty feet from the top of the front porch to the biggest pine tree Tom had ever seen.  Six bare bulbs—affixed to the wire—dangled about seven feet above the ground. In one of the circles of light beneath the wire, folding chairs formed a perimeter.  The chairs were occupied by men of all ages.  In the center of the group, where a fire might be in fall, sat a large washtub filled with melted ice and bottles of Coca-Cola, RC, and Nehi soda pop.  The men stopped talking to study the Masons’ car. “Hello, stranger,” one of them called, walking toward their car.  Their father nearly leapt out of the car and grabbed the man’s extended hand, which quickly pulled them together for a hug. Russ and Tom climbed out the tailgate and stood alongside the car, watching as a group of twelve or fifteen men and kids approached from the string of light bulbs. The house looked as if it had never seen a coat of paint.  The gray planks warped and strained against the rusty nails, which bled dark-red streaks from years of rain.  The steep, tin roof was nearly invisible in the night sky.  Where the main metal roof ended, another began.  A shallow slope formed a roof for the porch, which ran across the front and left sides of the house. Underneath the porch roof, bare bulbs with dangling pull-strings cast a yellow glow on all the women sitting in rockers.  Conversation halted while they examined the new arrivals. “This is my cousin, Royce.”  Their father indicated the man he’d hugged. “Hello, Royce,” their mother replied with a smile, adding, “Children, say hello to your cousin Royce.” The man was tall and thin, but somehow seemed stronger than he looked. “Hello, ma’am,” he said, offering his hand to their mother.
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Friday, 14 February 2014

Julie Hayes - When Will I See You Again. Blog post 3


This is the third in my series of three blogs on the new book by my good friend Julie Hayes. It's been great fun hosting a great book.

Over to you Julie

“Goodness, what big eyes you have!” Little Red Riding Hood exclaimed.

View Red Riding Hood and Wolf.jpg in slide show

“The better to see you with, my dear,” said her grandmother.

Except we know it’s not really her grandmother, don’t we? It’s the Big Bad Wolf in disguise.

Little Red Riding Hood was my first introduction to the wolf as more than an animal. This wolf walks and talks, he has very human emotions and he’s sneaky and crafty. Is he really a wolf, or is he more... perhaps the forerunner of the loup-garou? More commonly known as the werewolf, or wolf man?






Outside of fairy tales, I think my first encounter with wolf men came with the Lon Chaney, Jr. film. His werewolf was a scary dude, and very hairy. Not to mention he was a total beast. And I mean that literally. As a werewolf, no remnant of Larry Talbot’s humanity was evident once he changed. He acted on pure animal instinct, and people were scared spitless at the sight of him.
View Annex - Chaney Jr., Lon (Wolf Man, The)_02.jpg in slide show
There have been a number of films in this genre, with pretty much the same horrifying scenario of the man forced to turn into a hideous beast at the tug of the full moon, usually the result of a curse of some sort. Or the bite of another werewolf. There was nothing romantic about these creatures.

And then along came An American Werewolf in London, which took werewolves in a new direction, and revitalized the genre and breathed new life in it (with more than a touch of humor), leading to such films as Van Helsing and Underworld, among others.

Meanwhile, in the world of fiction, the werewolf underwent a more startling transformation. Romance writers created tortured souls that were also incredibly sexy, and gave a whole new meaning to the word. The first sexy werewolf I can remember was actually on TV. Quentin Collins, in the old soap opera Dark Shadows, was sexy David Selby. He’s the first werewolf I remember thinking was hot. Okay, there was Oliver Reed too, in Curse of the Werewolf, but he was also scary lol.

View smiling quentin 7.10.11.png in slide show
Werewolves are now a staple of paranormal romance writers, rivaling the vampire in popularity. At any given time, usually one of these creatures dominates the field as far as who’s the top of the polls. But werewolves have actually devolved into two camps – the werewolf and the shapeshifter – and these are not the same thing, not at all.

What’s the difference, you ask? The werewolf is a slave to the pull of the Full Moon. Come rain or shine, hell or high water, no matter where he is or what he’s doing, when it’s time, he’s going to change, and there’s not a damn thing he can do about it. But the shapeshifter controls his change, and he’s generally in command of his faculties when he does, so he has the advantage of the hapless werewolf.

What brought about this sudden surge in shapeshifters? I think it was laziness, personally, because some writers didn’t want to deal with having their heroes wait until the Full Moon – they wanted guys that could change at a moment’s notice. And they didn’t want to be confined to once a month. Technically speaking, shapeshifters are not werewolves by their very nature. Doesn’t make them wrong, just different. 

Not only that, but suddenly there are shapeshifting men for every species of animal you can imagine, and maybe a few you never expected to see in a book (or outside of one lol) I remember reading something about treeshifters! Not your every day variety of shapeshifter, you have to admit.

Werewolf or shapeshifter – both are fun to read about and to write about. I think they’re here to stay. I know I enjoy writing about them.

Blurb:

Raoul Marchand is the crown prince of Charisma, the infamous night club in Crescent Bay, renowned for its supernatural clientele. He has the pick of any and all men, but he cares for none. He uses them and throws them away again, and has done so for some twenty years, in the aftermath of a tragedy that robbed him of what he loved most in the world.

Alexx Jameson is an idealistic young would-be reporter with the Crescent Bay Chronicle. Presented with an opportunity to write a story on the Marchands, he eagerly grasps the chance to be a real reporter. His friend, Chronicle receptionist Miller Fenwick, suggests they go to Charisma to do a little research. Alexx isn’t sure that’s such a great idea. After all, he’s still under age, being only twenty. No problem, Miller can fix that! Added bonus, there’s a full moon tonight.

When Alexx first encounters Raoul, it isn’t exactly in the way he dreamed of, and he’s sure he made a terrible first impression. But Fate throws them together under unforeseen circumstances, and the attraction between them can’t be denied. Can Raoul let go of the past long enough to find his future with Alexx, or is he doomed to repeat past mistakes?

Excerpt:

Alexx drew in his breath in dismay. This wasn’t going well. Even so, he could not stop staring at Raoul. His eyes met the other man’s. Raoul’s were very golden; he wasn’t aware such colors even existed in the spectrum of the human eye. But then again, he didn’t have any friends that were werewolves either. He wondered if this was a sign that perhaps this man was about to change, right here and now?

The thought was both exhilarating and frightening.

Alexx’s vision telescoped until he wasn’t aware of anything but this gorgeous man in front of him. Blood pounded in his ears and his mouth felt suddenly dry. Having lost all sense of the others in the room, he was surprised when he felt his chair yanked out from under him. Before he could fall, a hand grabbed the scruff of his neck, propelling him to his feet. He glanced at his companion; Miller was being subjected to the same surly treatment.

“You waste my time for this?” Raoul’s upper lip curled back in a snarl. Alexx found himself wildly attracted to him. “I have somewhere I need to be. Paolo, please show these gentlemen out.” Sarcastic much? He turned and reached for the door, but it opened before he touched it.

A shaggy blond with hazel eyes and a cheerful countenance stuck his head inside. “Hey Paolo—” He interrupted himself at the sight of the occupants of the room.

Alexx heard Miller’s sigh of relief, even as he too recognized the newcomer. He’d seen him around the Chronicle often enough, although he’d never really spoken to him. Foster Levine, son of the Chronicle’s owner—heir apparent and future newspaper magnate.

Alexx’s relief quickly changed to anxiety. What if Foster knew how old he really was? He couldn’t be sure one way or the other, but for the sake of argument, he had to assume he did. Would he out him to Raoul Marchand and his burly minion? Had they simply jumped from the frying pan to be scorched by the fire?

Author Bio:

Julie Lynn Hayes was reading at the age of two and writing by the age of nine and always wanted to be a writer when she grew up. Two marriages, five children, and more than forty years later, that is still her dream. 
She blames her younger daughters for introducing her to yaoi and the world of M/M love, a world which has captured her imagination and her heart and fueled her writing in ways she'd never dreamed of before. She especially loves stories of two men finding true love and happiness in one another's arms and is a great believer in the happily ever after. 

She lives in St. Louis with her daughter Sarah and two cats, loves books and movies, and hopes to be a world traveler some day. She enjoys crafts, such as crocheting and cross stitch, knitting and needlepoint and loves to cook. While working a temporary day job, she continues to write her books and stories and reviews, which she posts in various places on the internet. Her family thinks she is a bit off, but she doesn't mind. Marching to the beat of one's own drummer is a good thing, after all.  

Her published works can be found at Amber Quill Press, Dreamspinner Press, MuseitUp Publishing, Torquere Press, and eXtasy Books. She is also an editor at MuseitUp.  


My links:
Twitter @Shelley_runyon
Facebook: https://www.facebook.com/julie.l.hayes.7?ref=tn_tnmn
Email: tothewolf.max@gmail.com





Wednesday, 12 February 2014

Wednesday Briefs Catherine's Revenge Ch 14



Another Wednesday, another flash of my briefs. It's been a pretty good week apart from the dog getting sick all over the bathroom. I have to hold my hands up and admit I lost the post about prompts and when I went to look to incorporate one into the story yesterday they just weren't there. Of course, on reflection, I could just have asked someone to forward it to me but that would have been too easy for me wouldn't it? Unfortunately, therefore, there will be no prompt this week but I've found an awesome photograph and hope that will suffice.





“Did you not once say you have a special connection with your brother? I believe you called on it at one time.”

“Well, I can’t say for sure what it is, or what it means, but as twins we have always been very close. When we were younger we finished each other’s sentences and knew what the other was thinking. We still know how we’re feeling no matter how far apart. If I’m down or ill, Ash will call and vice versa.”

“Can you feel his sickness within you? Can you feel Catherine’s hand around his heart, her power possessing him?”

Emma thought about it. There had always been a place, deep inside, where Ash lived; the place where she could feel him, almost hear his thoughts. She realised with surprise that it wasn’t there. It took her a few more moment to realise this was because she was actively shutting it off, albeit unconsciously. Self defence maybe.

“It’s there, but it’s closed off. I think it’s like a door shutting to keep the monster at bay on the other side.”

“That’s exactly it. You must open the door.”

“I don’t know how.”

“Take my hands and I will help you.”

It was so strange, taking Tristan’s hands and gazing into his calm blue eyes, all the while surrounded by the smells and sounds of the hospital, and knowing her brother was a bare arm’s length away fighting for his life. At first it felt so wrong that her eyes and thoughts were on Tristan and not him. Then Tristan’s eyes widened slightly and her vision tunnelled until there was nothing else in the world but him, and the deep blue waters into which she plunged.

A gentle coolness washed through her and somewhere deep inside, something opened like a flower. It was a flower with poison pollen though, because, almost immediately a deeper cold possessed her; a dark cold, like oil flowing through her veins. When it hit her heart she could have sworn it stuttered for a moment, and a bone deep ache closed like band around her chest, restricting her breathing to gasps.

She could feel her. There, in her heart, in her bones, seeking possession of her, seeking entrance into her mind and the very cells of her body

“No,” she gasped, then blinked her eyes and was back, grounded in reality, gazing into Tristan’s eyes through a haze of incandescence that settled, like a film over her eyes. “Is this what he feels?” she whispered.

“I imagine so, although I would think the effects are more pronounced, more deeply embedded.”

“What do I do now?”

“Take his hand. Speak to him as I believe your voice is the only he will now. Tell him to find the same place within him, to centre there, in your warmth. I will help him, as I did you.”

“I don’t feel warm. I’m so cold.”

“Your body may be, but the warmth of your heart, of your love, still courses strongly through you. I feel it.”

“What happens next? When Ash had found me?” When she repeated to herself. Not if, when.

“When she feels herself attacked, she will come and you must fight her. Together.”

“But how?”

“You will know; or you will die. Both of you will die.”

“But….” For a moment, anger flooded her, momentarily burning the darkness that swirled around her heart as it swelled with the thought that he had betrayed her, had tricked her into taking a path that would lead to both their deaths. Then, the realisation she would have taken that path willingly, had she been given a choice, turned anger to understanding and she managed to smile at him.”

“Tell him,” Tristan urged, and she turned to Ash.

Shock coursed through her, as she saw her brother with very different eyes. She could see his veins as if his skin had turned to paper. They were black with poison; his eyes behind his closed eyelids were dark with it. Had he got suddenly worse while she was turned from him, or had this been there all along, unseen with her mundane eyes?

Emma swallowed hard, and pushed aside the dragging heaviness that invaded her, with the cold of Catherine’s touch.

“Ash,” she whispered, through a frozen jaw. “Ash I’m here. I feel her, too. I must be taking some of her power from you. Please let it be enough to let you fight her. I know you’re tired, darling. I know it’s been so hard for you, but you have to find some fight left – for me. Fight for me, please.

“Do you remember when we were very young and I was so ill with meningitis. They thought I might die. I remember. I remember how tired I was; how everything was hard, and dark. You came to me then. The wouldn’t let you for a long time and, in the end, I think they brought you to me to say goodbye. The minute I saw your face the darkness receded, enough to let me see with clear eyes for the first time. When you touched my hand I could feel you, inside my heart, feeding me with the energy I needed to fight on and beat the sickness.

“The same thing happened when you had the accident on your bike and you were unconscious. I was so scared, but I found you and brought you back. Well, I’ve found you again. Let me in. Please let me in.”

For the longest time nothing happened, as she carried on talking, begging, pleading, eventually, when there was nothing else to say, singing. And then, just as she was on the point of giving up, Ash gasped and shuddered. The tone of the beeps on the machines to which he was connected jumped and changed. Finally, with a spasmodic squeeze of her hand his eyes flew open, and he whispered. “Emma.”



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Saturday, 8 February 2014

Quality or Content?

I had a thought


No, it wasn't about that.



It wasn't about that either, but it does have something to do with it.

The thought was about what makes classic writing - the quality of the writing, or the content?

We've all seen success stories where relatively poorly written works make millions and become hugely popular, but that's not what I'm talking about here. What I'm talking about are the works where the quality or writing is excellent, but the content is not 'weighty'.

In particular I'm talking about erotica.

I have read books in the category of erotica where the quality of writing is extremely good. There are those that deserve to be called 'classics' in that they are worth being and remaining popular for a long time, and have important things to say.

Such novels are not, however, likely to be seen on a reading list or in a book club. Why not? I've been involved in plenty of book clubs where we're discussed  books on controversial subjects, many having received critical acclaim. I have to admit I found many of them boring as hell. I'm a storyteller and find it difficult to enthuse about technically perfect use of language. I'm far more interested in what is being said than how it's being said.

I'm learning a lot about the use of language as I go on and am becoming more interested in its technical use. This has led me to see the intrinsic value in some of the erotica I read. What is it about sex that instantly reduces the value of the work that depicts it?

We can look at nudes on the wall and appreciate brushwork, yet we can't read a passage describing people loving one another and appreciate the perfect positioning of punctuation, or the exemplary choice of words to describe the sensations experienced by the characters?




Writers of erotica are often not seen as 'proper writers/' and elicit smirks everywhere. They're not 'real' writers. Why not? They're amazingly skilled. Finding the perfect words to describe love, and acts of love, are just as difficult and need just as much skill as finding the perfect words to describe war, terror, abuse, courage, overcoming difficulties and any of the other things people consider to be worthy and 'weighty' subjects.

I don't have any answers or suggestions. As I said, it was just a thought I thought I'd share.

Any ideas?

Wednesday, 5 February 2014

Wednesday Briefs - Catherine's Revenge Ch 13





Here we are again at Wednesday Brief time. I've been out of it for a while due to a lot going on in my life, but here I am, back on top with some more of Catherine's Revenge.

This week, the prompt I used was to have a character crying - not so hard a task in one of my stories :)

Hour after hour the anxious wait went on. One by one test results came back to show that the only abnormal thing in Ash’s body was the unnatural cold which, despite their best efforts, the doctors could do nothing to dispel.

Emma sat at the side of Ash’s bed, holding her brother’s hand, and watching him sleep, as Adam discussed the latest test results with the doctor. She let their voices wash over her, with little interest. There was nothing the doctors could tell her she didn’t already know.

The room was stiflingly hot, but Emma shivered nevertheless. Ash’s hand in hers was icy and sent chills up her arm and into her heart. It almost felt as if she, too was being frozen from the inside out.

The worst thing of all was the helplessness. Emma was a ‘doing’ sort of person. Yes, she enjoyed losing herself in her books and writing, but, with her father often lost for hours, even days in his studio, and Ash practicing, or playing guitar with some band or other, it was down to her to make sure the house was clean and warm, and that there was food on the table. Having a painter for a father and musician for a brother, meant family finances fluctuated greatly and, if left to those two, they’d live like kings for half the year, and starve for the rest.

Emma always had a plan, a goal, at least a list of options. This time there was nothing; nothing at all but sit and watch as minute by minute, hour by hour, her other half, the person who meant more to her than anyone else in the world, died. And he was dying. Even if she hadn’t already known it, she could have seen it in the eyes of the doctors and nurses, heard it in their hushed voices.  She was in hell.

Despite her best efforts, tears ran, silent and unchecked down her cheeks, blurring the image of her brother before her. All she could see were shades of white and grey.

“Emma.”

Surprised, Emma looked up from an intense study of Ash’s face, to find the room empty for once. So, who 
called her?

“Emma, are you alone?”

“What? Yes, I’m alone. Who are you? Where are you?”

“Here.”

Emma turned her head sharply toward the voice at her shoulder, to find Tristan standing where no one had been standing moments earlier. Not caring to think of that, Emma chose, instead, to experience intense relief that Tristan had returned unharmed. She got to her feet and threw her arms around him. She wouldn’t have been surprised if she’d embraced nothing but smoke, but Tristan was solid enough in her arms.

“Oh God, Tristan,” she gasped, “I was so worried. What happened? You disappeared. I thought— I don’t know what I thought. Are you alright?”

“Hush little lady, everything is as it should be.”

“Did you…did you…?” Emma couldn’t bear to ask if Tristan had taken the ultimate step to promise himself to Catherine for eternity, in order to mortgage the lives of her brother and all other Loughbridge men, as yet unborn.

Tristan shook his head. “I’m sorry, Emma,” he said.

“No,” she said, with genuine relief. “I was an idiot. I don’t want that. Ash wouldn’t want that. Human lives are brief anyway. If not now, Ash will die in fifty? Sixty years? Eternity is such a long time, and to be bound to something like that. No, I don’t want you to do that. I don’t ever want you to do that.”

The smile Tristan gave her warmer her. It was golden; glowing in his eyes.  “You are a special woman, Emma. In different circumstances it would have been easy to love you.”

“In other circumstances?” she asked, suddenly shy. Her first impression of Tristan’s outstanding beauty had not lessened or changed, and she found herself melting into his embrace without thinking about it.

Gently, but firmly, Tristan moved back a little and laid his hands on her shoulders. Emma was cold again.
“You know what I am,” Tristan said softly. “Whether I bind myself to Catherine or not, I am not of this world, not anymore. I cannot stay here. It takes more energy than I can really spare to come here, so far from my home, from my body. A life with me would be no life at all. Bound to the house, never travelling far, never taking a break or a holiday. We would be unable to have children. If we had friends we would be forced to lie to them. There are many things you take for granted I cannot do and—“ Tristan took her hand and pressed it against his lips. “Worst of all, I would have to watch you grow old and die, while I remain as I am.”

Emma’s stomach flipped. “But—“

“Perhaps I may not even be permitted to remain once Catherine is gone. Our fates are combined to that point but I do not know what will transpire after. There are too many uncertainties; too many things that work against us. You must see this.”

Emma did see. As much as she didn’t want to, she couldn’t help it. Of course it wouldn’t work. Of course they couldn’t be together. And yet…. Nothing Tristan had said could stop the way her heart fluttered when she looked into his beautiful eyes, or how her cold body warmed in the circle of his arms.

“We’ll see,” she said. “We’ll take it a day at a time. Right now we have to concentrate on saving Ash. After that, if you’re still here, we’ll think again. Don’t think I’m going to let go easily.”

Taking both of them by surprise, Emma leaned forward and kissed Tristan gently. He stared at her, his face pale and his eyes wide.


“So,” Emma said, “what do we do next?”                                                                                                   




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Monday, 3 February 2014

When Will I See You Again - Moon Musings


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Moon Musings
“O, swear not by the moon, the fickle moon, the inconstant moon, that monthly changes in her circle orb...”
            William Shakespeare, Romeo and Juliet
Cold-hearted orb that rules the night 
Removes the colors from our sight 
Red is grey and yellow white 
But we decide which is right 
And which is an illusion?”
             Moody Blues, Nights in White Satin/Lament


The Moon is one of the most highly anthropomorphized heavenly bodies, in poetry, music, and film. The moon is both villain and hero, blamed for the madness of men on the one hand and praised for her encouragement of lovers on the other. The word lunatic derives the old French lunatique, lunage, or directly from Late Latin lunaticus “moon-struck”, from the Latin luna “moon.” And of course we all know there is a man in the moon, who lives off of the cheese the moon is made from!
In Greek mythology, Selene is the goddess of the moon. Her siblings are the sun-god Helios and Eos, goddess of the dawn. Her name most likely derives from selas, the Greek work for light. Her brother Helios is often identified with Apollo, and is referred to as Phoebus, while Selene, identified with Artemis, is also known as Phoebe.

The ancient Greeks used gods and goddesses to help explain the natural world around them, such as the rising and setting of the sun and moon. The moon must have been particularly mystifying with her seemingly constant changing—waxing and waning as each month progressed, completely disappearing during the time of the new moon, and then reappearing in all her glory during the full moon.
Even today, there are people who believe that the moon is an influence on their lives, besides the pull she exerts on the tides. One example is the monthly cycle of women, menses sharing a common root with the Greek words for moon and month. Some people believe that the moon affects their moods.
And then there are other creatures that are more directly affected: werewolves.
What is it about the full moon that causes this phenomemon?
An Australian study among emergency patients with violent, acute disturbances comparable to werewolves found that a quarter of those admitted to a small hospital north of Sydney occurred on the night of the full moon, double the number for other lunar phases. Some people were reported to rub themselves with a special ointment, to induce the transformation to becoming a werewolf, an ointment often containing belladonna and nightshade—well known for their hallucinogenic qualities. In modern times, these ointments have been replaced by alcohol and drugs.
Werewolves are not necessarily just the stuff of legends. There have been reported werewolf sightings in Wisconsin that go back to 1936. Cases of people who believe themselves to be werewolves have been reported in various scientific journals, including The Canadian Psychiatric Association Journal. In 16th century Germany, a farmer claiming to be a werewolf was dealt a very unpleasant death by frightened townspeople. As for literature, werewolf stories go back many years, including the epic Gilgamesh, written 4,000 years ago.
For a werewolf, the moon is a cruel mistress indeed, one he or she cannot evade. She must be obeyed on that night, for nothing short of death can stop the change. But what if there were a drug that could control the change, control the beast within? Would that make being a werewolf more palatable? More acceptable to society at large?


When Will I See You Again takes place in a time when the presence of werewolves and vampires among the general populace is known and accepted, largely because of drugs that control any baser animal instincts. SL57 is the werewolf wonder drug, short for SomnioLupus, otherwise known as Wolf Trank. In the small seaside town of Crescent Bay, people come to the famous nightclub Charisma, mostly because of the charismatic man who is one of the best-known supes in the area: Raoul Marchand. Raoul is a regular party animal, one who lives but to have a good time, and who cares for no one and nothing. But he hasn’t always been this way...
 Blurb:

Raoul Marchand is the crown prince of Charisma, the infamous night club in Crescent Bay, renowned for its supernatural clientele. He has the pick of any and all men, but he cares for none. He uses them and throws them away again, and has done so for some twenty years, in the aftermath of a tragedy that robbed him of what he loved most in the world.

Alexx Jameson is an idealistic young would-be reporter with the Crescent Bay Chronicle. Presented with an opportunity to write a story on the Marchands, he eagerly grasps the chance to be a real reporter. His friend, Chronicle receptionist Miller Fenwick, suggests they go to Charisma to do a little research. Alexx isn’t sure that’s such a great idea. After all, he’s still under age, being only twenty. No problem, Miller can fix that! Added bonus, there’s a full moon tonight.

When Alexx first encounters Raoul, it isn’t exactly in the way he dreamed of, and he’s sure he made a terrible first impression. But Fate throws them together under unforeseen circumstances, and the attraction between them can’t be denied. Can Raoul let go of the past long enough to find his future with Alexx, or is he doomed to repeat past mistakes?

Excerpt:

Alexx drew in his breath in dismay. This wasn’t going well. Even so, he could not stop staring at Raoul. His eyes met the other man’s. Raoul’s were very golden; he wasn’t aware such colors even existed in the spectrum of the human eye. But then again, he didn’t have any friends that were werewolves either. He wondered if this was a sign that perhaps this man was about to change, right here and now?
The thought was both exhilarating and frightening.

Alexx’s vision telescoped until he wasn’t aware of anything but this gorgeous man in front of him. Blood pounded in his ears and his mouth felt suddenly dry. Having lost all sense of the others in the room, he was surprised when he felt his chair yanked out from under him. Before he could fall, a hand grabbed the scruff of his neck, propelling him to his feet. He glanced at his companion; Miller was being subjected to the same surly treatment.

“You waste my time for this?” Raoul’s upper lip curled back in a snarl. Alexx found himself wildly attracted to him. “I have somewhere I need to be. Paolo, please show these gentlemen out.” Sarcastic much? He turned and reached for the door, but it opened before he touched it.

A shaggy blond with hazel eyes and a cheerful countenance stuck his head inside. “Hey Paolo—” He interrupted himself at the sight of the occupants of the room.

Alexx heard Miller’s sigh of relief, even as he too recognized the newcomer. He’d seen him around the Chronicle often enough, although he’d never really spoken to him. Foster Levine, son of the Chronicle’s owner—heir apparent and future newspaper magnate.

Alexx’s relief quickly changed to anxiety. What if Foster knew how old he really was? He couldn’t be sure one way or the other, but for the sake of argument, he had to assume he did. Would he out him to Raoul Marchand and his burly minion? Had they simply jumped from the frying pan to be scorched by the fire?


Author Bio:

Julie Lynn Hayes was reading at the age of two and writing by the age of nine and always wanted to be a writer when she grew up. Two marriages, five children, and more than forty years later, that is still her dream. She blames her younger daughters for introducing her to yaoi and the world of M/M love, a world which has captured her imagination and her heart and fueled her writing in ways she'd never dreamed of before. She especially loves stories of two men finding true love and happiness in one another's arms and is a great believer in the happily ever after. She lives in St. Louis with her daughter Sarah and two cats, loves books and movies, and hopes to be a world traveler some day. She enjoys crafts, such as crocheting and cross stitch, knitting and needlepoint and loves to cook. While working a temporary day job, she continues to write her books and stories and reviews, which she posts in various places on the internet. Her family thinks she is a bit off, but she doesn't mind. Marching to the beat of one's own drummer is a good thing, after all.  Her published works can be found at Amber Quill Press, Dreamspinner Press, MuseitUp Publishing, Torquere Press, and eXtasy Books. She is also an editor at MuseitUp.  


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Twitter @Shelley_runyon