Today I'm privileged to host DJ Swykert who is talking about his new book, Children of the Enemy. This gritty book it written as if it were a film, with each scene discrete but woven together with the characters leaping at you from the pages.
I was lucky to discover DJ through Linkedin which just goes to prove that even boring sites like that can lead to creativity. So, without further ado let me introduce you to the author so he can give you a taste of what the book it about.
DJ Swykert is a former 911 operator who writes fiction. His work as appeared in: The Tampa Review, Monarch Review, Sand Canyon Review, Zodiac Review, Scissors and Spackle, Spittoon, Barbaric Yawp and BULL. Children of the Enemy, a novel, from Cambridge Books. Alpha Wolves, a novel, by Noble Publishing. You can find him on the blogspot: MagicMasterminds.com. He is a wolf expert
Children of the Enemy
The idea for the plot line in Children of the Enemy originated from an article I read in a
newspaper that stated: Detroit Police
only solve one-third of the homicides committed in the city. My first thought
had nothing to do with the one-third they solved, but for the victims of the
two-thirds that go unsolved. Detroit
Children of the Enemy is a story about justice. It’s about innocents caught up in the
drug business, a
story about victims and perpetrators, not a detective story. It’s about people
working outside the system who can’t get justice within the system. Raymond
Little is an ex-convict attempting to save Jude’s daughter who was kidnapped by
a drug dealer. He knows if he goes through the system Angelina is as good as
I write a book like you would watch a movie. It’s how I move the story along, chapters being scenes, the end result being me as a director, assembling the chapter-scenes into a coherent story consisting of characters, conflict and resolution. It all begins with the characters.
My protagonist Ray in Children of the Enemy was a man I saw who ran a salvage yard, which could also be accurately labeled a junkyard. He was sitting on a chair outside of a house trailer smoking a cigarette, with virtual mountains of scrap metal pieces and junk appliances surrounding him. I imagined in real life he was perhaps a cross between Dirty Harry and James Earl Jones. He just had this look about it that I found fascinating. Three-fingered Jack Davis is based on a man I knew as Three-fingered Jack, although he’s probably called Two-fingered Jack by now, the drug business is every bit as violent in reality as portrayed in the story.
Once I have a few characters I like I put them into a situation, this creates the conflict. The next step is to frame in my mind how I intend to resolve the conflict. The rest of the writing consists of chapters that point toward the resolution. Last, good writing always needs even better editing. I have been blessed with a good editor. A writer puts down on paper the essence of a story; the editor shapes the story into a book. Few writers can edit themselves. It really helps if you can find an impartial editor to help you with clarity in your writing and story.
If someone were to ask me for advice on how to improve their writing, I’d tell them to read Elmore Leonard’s Ten Rules of Writing, which you can find on the internet. It’s the most concise and easily explained set of ideas on good writing I’ve ever found. I don’t follow them verbatim, but a lot of his essentials have always stuck with me.