Storm Constantine is a British writer of Science Fiction and Fanstasy books. She is best known for her Wraeththu (pronounced Raythoo) chronicles. She pushes out the boat with regard to issues of gender and alternative sexuality. Maybe of her stories involve same sex relationships, androgynes and hermaphrodites.
I love the way that she pushes boundaries both in relation to gender/sexuality, which is one of my fascinations, but also with regard to all kinds of taboo and what is/isn't 'acceptable' in mainstream literature. Although, I guess her writing stretches the definitions of 'mainstream' too :)
Storm is one of my heroes and I hope you'll enjoy getting to know her a little better. I know I did.
1. You
clearly like torturing your characters as much as I do. So, which particular
scenes of torture were your favourites?
Hmm hard question to answer. I
think what I enjoy exploring is people’s assumptions and misconceptions about
situations, which can of course give rise to torture. The biggest torture is
not being able to connect with the ‘beloved’. That is probably a recurrent
feature in my work. Sometimes I let them connect, sometimes not.
2. You’ve
probably been asked this a lot but are any of your characters based on people
you know/have met. If by any chance Uluame is – do you have his telephone number
and is he still single. If not, Seel is a close second. I would say Cal but I
figure he’s BOUND to be taken J
Ulaume was not based on anyone I
knew or had seen, but Seel was. It was someone I met briefly during the 80s. He
was a rare gem, but we never maintained contact. However, he was enough to
inspire a character. Cal is like a web of characters and people. He is the
ultimate nemesis and beloved. He is made of many people.
3. What
was it that originally sparked off the idea of the Wraeththu story? Was it a
dream, a snippet of conversation, someone else’s work, an idea that had been
bouncing around for a while, a TV programme?
Honestly, I have no idea. I have
Wraeththu stories going back to my teens. It just sort of happened but can’t
remember why or how.
4. When
you first started to write the Wraeththu books you MUST have written a plan.
Nothing that complicated could have been entirely spontaneous. When you
actually got down to writing, did the story take you in unexpected directions?
Was the end result a lot different to the original plan?
I wrote... er ... very
organically. There was no plan. I just wrote what came out. I still do that
really. If an urge takes me, I follow it. The story I’ve written for the next
Wraeththu anthology, Para Imminence, was like that. I thought I had a plan then
the story decided to hijack that and go off in its own direction. It’s a better
story for it, though.
5. When
writing the Grigori trilogy, did you do a lot of research on the mythos of the
Grigori and the Nephylim? What was your favourite element of that mythos?
Semjaza is an enigmatic character, why did you choose him to fill the role you
wrote for him, rather than one of the other fallen?
I’d been into fallen angels from
a very young age, and the only reason I started to put all my thoughts, ideas
and feelings down about this huge subject was because Andy Collins was writing
his ‘From the Ashes of Angels’ non fiction book and was willing to share his
research, which helped me shape a fictional take on it. Shem to me was always the prime mover, because
he took the flak for everything that happened.
If you look into the somewhat wobbly mythological ‘facts’, Shem is a composite
of many well known names, such as Azazel, Lucifer and so on. He is seen as the
ultimate ‘baddy’ yet mythologically, outside of the Judaeo/Christian tradition,
such as in one of the Kurdish traditions, he’s seen as the advocate of
humanity, not its downfall. I was interested in that aspect. I liked the idea
he spoke up for and wanted to advance the human race, yet his rulers said ‘no’
and punished him and his followers for trying.
6. In
Burying the Shadow, what gave you the idea for your depiction of vampires? It’s
very different to the traditional one.
Well at the time I wrote that,
the flavour of the month in the publishing industry was vampires in fantasy
fiction. I just wanted to write a book about vampires and fallen angels that
didn’t include either term. Vampires have been flavour of the month for a long
time now and I quite detest a lot of the novels written about them.
7. Is
there a connection between your vampires and your fallen angels?
Same thing. From research that
Andy Collins did for the aforementioned ‘From the Ashes of Angels’ it’s quite
likely the idea came from the same source.
8. Out
of all your books, which character(s) affected you most? Not necessarily the one(s) you liked/hated
most, but the one(s) that had the greatest effect when and after you were
writing them.
Probably Cobweb, because he is
the voice of reason, and also the voice of kindness. He says the things, as I type the stories,
that I wish I could have said in some situations. He’s due for a reappearance
soon and will have one imminently, with more of his words of wisdom. Can’t say
more than that.
9. Which
character was the easiest to write? Which was the hardest?
Most characters were easy for me
to write. I wouldn’t say any one in particular was hard, but certain scenes
were hard to write. In particular when Shem sacrificed himself in Stealing
Sacred Fire – that scene made me feel physically sick.
10. Which
character can you picture most easily, and what do they look like?
I can see them all quite easily,
but my view is different to anyone else’s reading the stories. That’s the
beauty of books over film. You can fill in your own details.
11. What
are your favourite pictures of your characters? By this I mean illustrations,
fan art etc. (blatant ploy to get pretty pictures in the blog.)
Ruby, to me, captures best the
characters I write about. She has done most of my book covers for my Immanion
Press releases, and also the Wraeththu Tarot. But there are also some very good
artists out there who capture the spirit of Wraeththu.
12. What
sparked off the idea of writing a new Wraeththu trilogy so long after the
first?
Again, no idea. I just woke up
one day realised I had a trilogy. Then it started pouring out, and that was
that.
13. What
can you tell us about the new Wraeththu stories?
The one I’ve just completed for
the forthcoming Para Imminence, I’m very happy with. It involves the future of
Galhea and the house We Dwell in Forever. Don’t want to say too much so as not
to spoil it. I also want to complete a lot of other half written novellas and
stories I have. It’s in the ‘to do’ list.
14. You
have probably guessed that the Wraeththu books are my favourites, although I ADORE
the characters in Sign For The Sacred and I want to take Lucien home and keep
him in my pocket. He would get on SO well with my characters, Silver and Ariel.
However, which is your favourite book
that you’ve written.
From a technical (writing) point
of view I think the Magravandias trilogy works best, but Wraeththu is my first
love. There are some parts of the second trilogy that I just don’t know where
they came from but they make me tingle, all the same.
Lianvis and Uluame Pellaz
Cal and Pellaz
Cobweb
15. If
you could throw a dinner party and invite six of your characters who would you
choose and why.
Lianvis, the Kakkahar, he would
tell some interesting tales. Pellaz because in some ways he is me; we’d either
get on or hate one another. Velaxis and Caeru, who would no doubt be full of
fascinating gossip. Cal because he’s Cal. And finally Cobweb, who would whisper
snippets of information to me about everyone else at the table.
16. Who
is your favourite author
Tanith Lee. She’s been an
inspiration to me throughout my life, and now I’m publishing new works of hers.
A goddess of language.
17. I’ve
asked you a lot about your works, but what about Storm the person. What ten words
do you think best sums you up as a person?
Ten words, ha ha. Lazy,
workaholic, insecure, confident, caring, impatient, cruel, kind, jaded,
hopeful. Think that covers it!
18. Is
Storm the writer different to Storm the person and, if so what characteristics
distinguish each.
Storm the writer and Storm the
person are the same. It’s just people’s expectations that might differ. I was
quite shocked when I was first published, and people got into the Wraeththu
books, that many expected me to be some sort of mystical creature, or perhaps
more like my characters than I really am. One guy once came to interview me for
a fanzine in the 90s and didn’t hide his astonishment that I behaved like an
ordinary person. While amused, I was also impatient with that. Just because
someone can tell stories it doesn’t make them a guru or a wise woman by
default. We all, every single one of us, have to work on that kind of thing
individually, no matter what job we have!
19. Do
you have any little foibles about your writing, for example a favourite brand
of coffee you drink when you’re writing, a favourite time of day to write, a
special pair of pyjamas you write best in?
It varies. Sometimes I write
most easily in the morning, the afternoon or the evening. I think my most
important requirement is silence. I can’t bear noise of other people, or even
music, while actually writing.
20. If
you could have had any job at all, other than writer, what would it have been?
The top guy at Blizzard
Entertainment who owns World of Warcraft. Well, that’s a joke really, but what
I mean is that he is in charge of an empire that has created and fully realised
a virtual world. Whenever I visit virtual worlds online – and I dabble in
several fantasy MMOs – I think wistfully of how I wish one of my imagined
worlds could be realised like that. Some virtual worlds are very beautiful and
that’s a great part of the appeal of them for me. I like exploring! If I was in
the position to recreate in artful pixels the world of Wraeththu, or
Magravandias, or even the strange world of Calenture, I’d count myself as
having the best job in the world.
21. What
is your deepest fantasy/wish/dream?
To be free of money worries. I’m
not greedy. I don’t want a yacht. Just want to have the comfortable freedom
that a certain amount of money allows.
22. Where
do you see yourself in 5 years time?
Hopefully the same but richer!
23. Is
there a single person who has helped you more than anyone else in your writing…
ideas, practicality, handling your temper and mood swings (which as a writer I
presume you must have at times when writing)
Again, Tanith Lee. That’s for inspiration and also support
for my writing. I also have a few dear friends who I turn to when I’m having a
wobble in life, and feel blessed for having them.
24. What
would be your best piece of advice for a writer today, trying to get their
books noticed, especially when they are not mainstream? (okay, yeah, this one’s
for me but still, advice is advice and it’s not something I’m going to be
keeping to myself)
There are three things I’d say.
First, it’s a struggle in some ways nowadays, in that the
big publishing houses are soulless and often difficult to penetrate, but at the
same time we now have the Internet at our disposal, which years ago, when I was
first writing, would have sounded like a science fiction Utopian dream for
writers. You really have to make the most of it, promote yourself, talk about
your passion for your work in every appropriate place. Use social media, even
if you find some of it repellent. (Twitter, *shudder*). However, the downside
of this free dispersal of information is that many people who think they are
gifted writers don’t get the education of working with a qualified editor. I
know from personal experience that you’re not the best judge of your own work
when you start out. When I republished the first Wraeththu trilogy, parts of
the prose made me wince, they were so badly written. Only experience enabled me
to see that – and these books were edited
professionally at the start too. As an editor as well as a writer, I had to
correct those books before I could bear to publish them again.
So, the second piece of advice I’d give is get as much feedback as you can, from people you trust to be honest – usually other writers – rather than friends or family who might simply say, ‘oh yes, very nice’. That’s no help at all. A true writer wants the unadulterated truth on how to improve and refine their words.
So, the second piece of advice I’d give is get as much feedback as you can, from people you trust to be honest – usually other writers – rather than friends or family who might simply say, ‘oh yes, very nice’. That’s no help at all. A true writer wants the unadulterated truth on how to improve and refine their words.
Thirdly, and perhaps the most important, become
accomplished with a writer’s tools – words. Study language, learn how to get
the best from it, be conversant with grammar, syntax and punctuation. An artist
cannot create without their tools, i.e. pigment of some kind. Words are a
writer’s pigments, their colour palette. Learn how to apply them well.
25. Is
there anything else you would like to tell us about yourself or your work that
you might want to get out there or that can help YOU? There’s not a huge amount
of publicity I can drum up but if you have any pet projects you would like to
get out there, I’ll do my very best to get them heard.
Well despite all my good intentions for this year, I’ve become bogged down in Immanion Press work so much I haven’t started the new novel I’d wistfully been thinking of doing. However that doesn’t mean I haven’t had a little time to fit in some creative work of my own. I’ve written one story for Para Imminence, the next Wraeththu short story anthology (we’re still looking for submissions to that, by the way, should anyone reading this be interested in submitting). While Paragenesis, the collection that came out last year, focused on the early days of Wraeththu, for this new one I’ve asked contributors to think about the far future, which opens everything up for really interesting possibilities. I’m also working on the second Deharan Magic book. While I might not be able to create a virtual world online for Wraeththu, I can create a magical system, which is a lot of fun. Pop culture magic really intrigues me. I’ve also started a second story for Para Imminence and am currently working on a further short for another anthology.
I’m gradually republishing all of my back catalogue through Immanion Press. The novel Aleph is due this summer, and I hope to get time this year to republish another one, possibly Sign for the Sacred. I’m also slogging through getting all the books out as ebook editions. Most are available via smashwords.com and I’m starting to get them onto Amazon’s Kindle now as well.
All my books, and those of other writers
we publish, can be found at http://www.immanion-press.com
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